My Andy Warhol

(in 1964-65)..Inevitably there will be (gaps) in information which might have been inadvertently overlooked or misread.. which will be incorporated in the final volume of the series (of catalogue raisonne).

Neil Prinz and Georg Frei, Andy Warhol catalogue raisonne and authentication board.

I said to Andy, why don’t you make all of your paintings this way? Eventually, he did but (myandywarhol) was one of the first.. The only difference between a Warhol painting and a serigraph is one is on canvas the other on paper.

Paul Morrissey, Warhol’s manager from 1965 and director, writer and producer of many of Warhol’s films.

At no time did the staff at Editions Lassiter-Meisel ever have any direct professional contact with Mr. Andy Warhol. At no time did Andy Warhol ever visit Editions Lassiter Meisel to observe his work being created.

Norman Grey Lassier, whose company created thousands of Warhol paintings and prints for Warhol’s outside printer Rupert Smith, who subcontracted part of the work to numerous printers.

'Andy hated painting. Couldn't stand it! He was looking for a way that he considered to be more modern.

Ronnie Cutrone Warhol associate from 1964-1982.